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by
Christine
Hemp
Ask
not for whom the trout strikes; it strikes for you. When
Ernest Hemingway wasn't bagging game or banging on his
Underwood in Ketchum, he was landing rainbows and browns at
spots like Silver Creek, the Big Wood, or the Big Lost
River. These Western streams promise a range of blue-ribbon
fishing grounds—some perfect for intrepid beginners, others
better suited for experts like Papa.
My own grandpa, Boppa,
fly-fished too, and his spirit inhabits my cast—especially
at 6 a.m. on Silver Creek, a tricky river noted for unusual
insect hatches. This spring-fed, slow-moving stream is
flanked by grassy vegetation, making it a perfect habitat
for mayflies, caddises, and wily trout. The key? Match the
fly with what's hatching, then cast and drift it delicately.
When the sun warmed my back, I finally got lucky and the
glittery thrash was mine. But fly-fishing isn't about
numbers; it's about windless blue skies, the push of the
current against your waders, and the mystery of what lies
beneath. Each stream has a voice of its own. Later that day
I tackled the Big Wood, a bossy freestone river that runs
right through Ketchum, with plenty of public access. It's
suitable for all levels of fly-fishers, though some parts
are limited to catch-and-release.
My biggest thrill, however, arrived the next day. The Big
Lost River is an hour's journey into the mountains. My
personal guide, Tommy, from Bill Mason Outfitters, drove
hell-bent over gravel roads to what I call heaven: dazzling
private waters, sagebrush, and the yellow splash of a
western tanager among the cottonwood trees. In the midst of
this idyll, Tommy growled about my casting, disapproved of
my slow uptake on a strike, and corrected my reeling style.
Annoyed, I nonetheless adjusted my technique and soon a
three-pound rainbow whomped on the line. Tommy cheered. By
day's end I'd not only landed (and released) several more
monster fish, I'd added new skills to my creel.
That night, happily fatigued, I was welcomed back to the
historic Sun Valley Lodge radiating its rugged elegance. I
pictured Hemingway returning from a day with Gary Cooper,
lugging in a string of trout for the European chef to
prepare. Before sleep, I could almost hear the clickety-clack
of typewriter keys down the hall in Room 206 where he
completed For Whom the Bell Tolls. I uttered a
blessing to the ghosts of Papa and Boppa and dreamed
everything silver.
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